Fans of the hugely popular “Hannah Montana” TV show will get the chance

Fans of the hugely popular “Hannah Montana” TV show will get the chance to experience
the thrill of a front row seat to see their favorite singer, songwriter and actress, Miley Cyrus, perform her nationally sold-out HANNAH MONTANA & MILEY CYRUS: BEST OF BOTH WORLDS CONCERT on the big screen—for one week only—with this very special Disney Digital 3-D™ presentation. The exclusive event comes to theaters across the U.S. and Canada from February 1 through February 7, 2008.

Shot during her 69-city, standing-room-only concert tour, the film brings a whole new dimension to the pop idol, as state-of-the-art 3-D captures up close, and with stunning clarity, the music, persona and inside world of both Miley Cyrus and her rocking alter ego, Hannah Montana. With rapidly rising stars, Jonas Brothers, as her special guests and a stage filled with dancers, pyrotechnics and video imagery, HANNAH MONTANA & MILEY CYRUS: BEST OF BOTH WORLDS CONCERT showcases the exuberant magnetism that has led the 15-year-old singer and actress to become a multimedia sensation and attracted legions of fans all over the world. In addition to its viscerally real concert footage, the film includes a “backstage pass” peek at Miley’s life on tour.

HANNAH MONTANA & MILEY CYRUS: BEST OF BOTH WORLDS CONCERT is directed by Bruce Hendricks (“ESPN’S Ultimate X: The Movie”) and produced by Art Repola (“ESPN’S Ultimate X: The Movie”) from the concert-tour phenomenon that was conceived, produced and specially designed to be shot in 3-D by lauded choreographer Kenny Ortega (“High School Musical,” “High School Musical 2”).

The film’s director of photography, Mitchell Amundsen (“Transformers” and Martin Scorsese’s upcoming “Shine a Light”), simultaneously uses seven state-of-the-art, highdefinition 3-D digital cameras provided by Cameron/Pace Designs—a pioneer in delivering the most captivating and immersive imagery available. The other directors of photography are Rodney Taylor and Reed Smoot. Also joining the filmmaking team is renowned editor Michael Tronick, A.C.E. (“Hairspray”).

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